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Eric Stanton's Bondage Enthusiasts Bound in Leather Volume One
New York, 1961. In the velvet darkness of a Broadway theater, a chance encounter ignites a journey into the most elegant and extreme fetish world ever drawn by the master himself.
When a sophisticated stranger in clinging black satin and sky-high kid-leather gloves leans close, takes and finishes the sketch a man has begun in the hopes of meeting her, a turn of events unfolds that will lead him down a path of depraved fetish and kink. She is Vicki Roberts: wife, mother, and devoted slave to the strictest corsets, tallest heels, and cruelest bondage. Before the final curtain falls she invites him home¿ where he discovers her daughter Nicki is even more insatiable, and their French maid Fifi is already locked away in a trunk as punishment.
What follows is Eric Stanton at the absolute peak of his powers: gleaming single-sleeve sheaths that crush elbows together, thigh-high boots laced so savagely they force every step onto tiptoe, waist-cinching corsets that take a woman's breath away, and ritualized scenes of discipline so theatrical and merciless they still leave readers breathless sixty years later.
Originally issued by Nutrix in 1961, this is Stanton's masterpiece of mid-century fetish elegance-sophisticated, unapologetic, and dripping with the glossy, high-contrast ink that made him the undisputed king of underground bondage art. This is Erosetti Press's Restored Edition, featuring all 35 original illustrations, printed on premium archival paper with a glossy collectible cover.
New York, 1961. In the velvet darkness of a Broadway theater, a chance encounter ignites a journey into the most elegant and extreme fetish world ever drawn by the master himself.
When a sophisticated stranger in clinging black satin and sky-high kid-leather gloves leans close, takes and finishes the sketch a man has begun in the hopes of meeting her, a turn of events unfolds that will lead him down a path of depraved fetish and kink. She is Vicki Roberts: wife, mother, and devoted slave to the strictest corsets, tallest heels, and cruelest bondage. Before the final curtain falls she invites him home¿ where he discovers her daughter Nicki is even more insatiable, and their French maid Fifi is already locked away in a trunk as punishment.
What follows is Eric Stanton at the absolute peak of his powers: gleaming single-sleeve sheaths that crush elbows together, thigh-high boots laced so savagely they force every step onto tiptoe, waist-cinching corsets that take a woman's breath away, and ritualized scenes of discipline so theatrical and merciless they still leave readers breathless sixty years later.
Originally issued by Nutrix in 1961, this is Stanton's masterpiece of mid-century fetish elegance-sophisticated, unapologetic, and dripping with the glossy, high-contrast ink that made him the undisputed king of underground bondage art. This is Erosetti Press's Restored Edition, featuring all 35 original illustrations, printed on premium archival paper with a glossy collectible cover.
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New York, 1961. In the velvet darkness of a Broadway theater, a chance encounter ignites a journey into the most elegant and extreme fetish world ever drawn by the master himself.
When a sophisticated stranger in clinging black satin and sky-high kid-leather gloves leans close, takes and finishes the sketch a man has begun in the hopes of meeting her, a turn of events unfolds that will lead him down a path of depraved fetish and kink. She is Vicki Roberts: wife, mother, and devoted slave to the strictest corsets, tallest heels, and cruelest bondage. Before the final curtain falls she invites him home¿ where he discovers her daughter Nicki is even more insatiable, and their French maid Fifi is already locked away in a trunk as punishment.
What follows is Eric Stanton at the absolute peak of his powers: gleaming single-sleeve sheaths that crush elbows together, thigh-high boots laced so savagely they force every step onto tiptoe, waist-cinching corsets that take a woman's breath away, and ritualized scenes of discipline so theatrical and merciless they still leave readers breathless sixty years later.
Originally issued by Nutrix in 1961, this is Stanton's masterpiece of mid-century fetish elegance-sophisticated, unapologetic, and dripping with the glossy, high-contrast ink that made him the undisputed king of underground bondage art. This is Erosetti Press's Restored Edition, featuring all 35 original illustrations, printed on premium archival paper with a glossy collectible cover.
